Nov 7th, 2008 · Real Blasty, the sophomore full-length release from Chicago-born Kyle Andrews, is an upbeat album for sad people who just want to dance. A lesser artist could get weighed down by the broody lyrics covering unrequited love, insecurities and general enui. But Andrews pulls it off by pairing his angst with bright electro-pop rhythms and irresistible hooks.
Nov 3rd, 2008 · Rock music may give the electric guitar fire, but avant-garde jazz musicians often re-think the instrument beyond its basic, melody- and rhythm-based functions. Here are five musicians who eschew standard conventions and instead approach the guitar as a device of pure sound.
Oct 27th, 2008 · As a kid, Halloween means dressing up with friends, looking for the spots with the best candy, and stopping for pranks along the way. As you get older, you're stuck handing out rather than filling up. Halloween may have a different sense of rhythm now, but some of the best Halloween ear candy hasn't changed.
Oct 17th, 2008 · A lovely, gentle relationship drama about loss and disappointment; impressionistic and intimate, it captures moments, but also evolutions, the unchartable rhythms of a romance diminishing.
Oct 15th, 2008 · The Strokes' rhythm guitarist Albert Hammond Jr. joins host David Dye for a Lillywhite Session recorded at Avatar Studios in New York City. Here, his band performs four songs from his second album, Como Te Llama?
Oct 15th, 2008 · Jazz pianist Jason Moran has been praised for his eclectic and distinctive sound. But sometimes, Moran says, he's in danger of becoming inhabited by the brilliant jazz innovator of another time, Thelonious Monk. Here, Moran talks about discovering one of his biggest musical influences.
Oct 14th, 2008 · Ra Ra Riot features swooning violin and cello lines, pop hooks and sinuous rock rhythms like Spoon with strings. After the tragic loss of their drummer, The Rhumb Line was a cathartic recording process that takes on a positive outlook on the darker side of life.
Oct 5th, 2008 · A new musical by choreographer Bill T. Jones explores the controversial life and legacy of Nigerian musical revolutionary Fela Kuti. Fela pioneered Afrobeat, blending African harmonies and rhythms, jazz, funk (and even a little James Brown) with satirical lyrics criticizing the Nigerian government.